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Free for Commercial Use

Solid Ugtu 12 is a very bold, normal width, low contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, album covers, game titles, industrial, brutalist, glitchy, aggressive, techno, maximum impact, industrial texture, machined look, dystopian tone, display use, blocky, angular, stenciled, notched, compact.


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A heavy, geometric display face built from solid rectangular masses with sharp corners and frequent diagonal nicks. Counters and apertures are largely collapsed, leaving only thin slits or small cut-ins to suggest internal structure, which produces a dense silhouette and high ink coverage. Strokes are essentially monolinear in feel, but the letterforms show irregular carving—small notches, step-like joints, and occasional angled cuts—creating a rugged, constructed rhythm. Proportions skew tall with a large x-height, and spacing appears tight, emphasizing a packed, block-system texture in words.

Best suited for short, high-impact settings such as posters, titles, logos, and branding where a dense, blocky texture is desirable. It also fits music, gaming, and tech-oriented visuals that benefit from an industrial or dystopian edge. Use at larger sizes to preserve character distinction and to let the carved details read clearly.

The font projects a forceful, mechanical tone—part industrial signage, part dystopian tech. The filled interiors and knife-cut details give it a covert, armored feel, with a subtle “glitch” or hacked-in aesthetic that reads confrontational and loud. Overall it feels engineered rather than written, evoking machinery, security markings, and urban brute architecture.

The design appears intended to maximize visual mass while retaining letter identity through strategic cutouts and notches. It aims for a constructed, modular look that feels like letters were machined or stamped from solid material, prioritizing impact, texture, and attitude over conventional readability.

Because interior openings are minimized, some characters rely on small incisions for differentiation, which increases visual impact but can reduce quick scanning at smaller sizes. The stepped geometry and occasional diagonal truncations add motion and tension to otherwise rigid, slab-like forms, making lines of text read as a continuous dark band punctuated by cuts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸