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Solid Ugvi 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Deep Rising' by BA Graphics, 'Bhelt' by Fateh.Lab, 'Maken' by Graphicxell, 'Stallman Round' by Par Défaut, and 'Friez' by Putracetol (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, game ui, industrial, brutalist, stenciled, retro arcade, aggressive, maximum impact, silhouette-led, techno edge, signage feel, poster punch, blocky, angular, faceted, monolithic, compact.


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A heavy, block-built display face with chunky rectangular stems and sharp, chamfered corners that create a faceted silhouette. Counters and interior openings are largely collapsed, so letters read as solid masses with identity carried by notches, cut-ins, and stepped joins rather than open bowls. Terminals are squared and abrupt, with occasional diagonal bites that add a mechanical, constructed rhythm. Spacing appears tight and the overall texture is dense, producing strong black shape continuity across words.

Best suited to large-format display use such as posters, headlines, and branding marks where its dense, sculpted shapes can be appreciated. It can also work for packaging, music/event graphics, and game or sci‑fi themed UI elements when used sparingly and with careful spacing.

The tone is forceful and utilitarian, with a hard-edged, machine-cut character. Its faceted cuts suggest industrial signage and sci‑fi interfaces, while the compact, solid forms give it a confrontational poster feel. The overall impression is bold, gritty, and game-like.

The design appears intended to deliver maximum visual impact through solid, counterless forms and angular cut-in details, emphasizing silhouette over conventional readability. It aims for a constructed, industrial aesthetic that stands out immediately in display contexts.

Because many letters rely on small cutouts for differentiation, clarity drops quickly at smaller sizes or in long passages. The strongest results come from short settings where the silhouette and rhythm can carry the message, especially with ample tracking and generous line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸