Sans Superellipse Ribuh 2 is a very light, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, logotypes, fashion, packaging, posters, elegant, modern, refined, airy, editorial, display elegance, geometric refinement, premium branding, contemporary voice, monoline feel, hairline joints, rounded terminals, open apertures, tall caps.
A very delicate, high-contrast sans with rounded-rectangle (superelliptic) construction throughout. Strokes tend to stay slim and even in the straight segments, with pronounced thick–thin transitions appearing mainly at curves and joins, giving a crisp, engraved impression without adding true serifs. Counters are generously open and often squarish-rounded, and many letters use soft, flattened arcs rather than perfect circles. Uppercase proportions feel tall and stately, while lowercase is compact with a normal x-height and long, elegant extenders. Numerals follow the same spare, refined logic, mixing simple linear forms with rounded bowls.
Best suited to headlines, brand marks, and short editorial settings where its fine strokes and crisp contrast can be appreciated at larger sizes. It can work well for fashion/beauty identities, premium packaging, and gallery or architectural communication, especially in layouts that allow ample spacing and clean reproduction.
The overall tone is poised and contemporary—minimal but luxurious. Its thin presence and controlled geometry read as fashion-forward and architectural, with a calm, premium feel rather than playful warmth.
The design appears intended to merge geometric superellipse forms with high-contrast, hairline detailing to create a distinctive modern display voice. It prioritizes visual refinement and a recognizable silhouette over neutral text utility.
Several glyphs show distinctive, stylized join behavior—especially around bowls and diagonals—creating a signature rhythm that is more display-oriented than utilitarian. The letterforms maintain consistent rounding and corner softness, which helps unify the set even where individual shapes are unconventional.