Sans Superellipse Odmy 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Oxima' by Graviton, 'Bega' by Indian Type Foundry, 'Syke' by The Northern Block, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, packaging, signage, posters, confident, friendly, industrial, sporty, techy, high impact, clear labeling, modern utility, brand voice, rounded, blocky, compact, sturdy, soft-cornered.
A heavy, rounded sans with a squared, superellipse construction: curves resolve into broad, softened corners and straight segments feel like rounded rectangles rather than true circles. Strokes are uniform and robust, with tight apertures and compact counters that keep the color dense, especially in C/S and the bowls of B/8. Terminals are blunt and consistently rounded; diagonals in A/V/W/X are thick and stable, while the lowercase shows single-storey a and g, a compact e with a small eye, and a short-armed r. Numerals follow the same boxy-round logic, with a rectangular 0 and sturdy, simplified forms that read well at display sizes.
Best suited to short, prominent text where its dense, rounded shapes can project strength—headlines, logos, labels, wayfinding, and bold UI moments. At smaller sizes or in long passages, the tight apertures and compact counters may benefit from generous tracking and line spacing.
The overall tone is bold and assured, mixing a friendly softness from the rounded corners with a no-nonsense, engineered solidity. It suggests contemporary utility—sport, tech, and signage—without feeling sharp or aggressive.
The font appears intended to deliver maximum impact with a rounded-rectangular geometry, balancing approachability and toughness. Its consistent, softened block forms aim for clear recognition and a contemporary, product-forward presence.
Spacing in the sample text reads slightly tight, contributing to a compact, poster-like texture. The design stays highly consistent across caps, lowercase, and figures, emphasizing uniform curves, short joins, and minimal modulation for a cohesive, modern rhythm.