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Sans Superellipse Ugres 4 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Swiss 721' by Bitstream, 'European Sans Pro' by Bülent Yüksel, 'Newhouse DT' by DTP Types, 'Helen Bg' by HS Fonts, 'Neusa Neu' by Inhouse Type, 'Helvetica' by Linotype, and 'CG Triumvirate' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, sportswear, packaging, logos, sporty, punchy, energetic, retro, playful, impact, motion, approachability, display, rounded, compact, blocky, slanted, soft corners.


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A compact, heavy sans with an assertive rightward slant and rounded-rectangle construction. Letterforms are built from thick strokes and soft corners, producing a chunky, cushioned silhouette with minimal internal detailing. Counters are tight and often squarish, and the overall spacing feels condensed, emphasizing a dense, poster-like texture. Shapes lean toward geometric simplicity with slightly uneven, hand-cut flavor in terminals and joins that keeps the rhythm lively rather than strictly mechanical.

Best suited for short, high-impact text such as headlines, posters, brand marks, and packaging where a dense, slanted voice helps convey speed and emphasis. It can also work well for sports-related graphics, promotional messaging, and bold UI banners where instant recognition matters more than long-form readability.

The tone is bold and kinetic, reading as sporty and attention-grabbing with a friendly softness from the rounded forms. Its slant and stout proportions suggest motion and impact, while the smooth corners keep it approachable rather than harsh. Overall it evokes a retro display sensibility suited to energetic branding and headline-driven layouts.

The design appears intended to deliver maximum visual impact through compact, rounded geometry and a strong forward slant, creating a sense of motion and confidence. It balances toughness and friendliness by pairing heavy mass with softened corners, aiming for an energetic display voice that remains approachable.

Uppercase forms maintain strong, simplified geometry, while lowercase adds character through single-storey constructions and compact apertures. Numerals match the same chunky, rounded logic, staying highly visible and headline-oriented. The design prioritizes silhouette clarity and momentum over fine detail, making it most convincing at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸