Print Odkip 6 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' and 'European Soft Pro' by Bülent Yüksel, 'CF Blast Gothic' by Fonts.GR, 'Ad Design JNL' by Jeff Levine, 'Prachason Neue Mon' by Jipatype, 'Red Top' by Studio K, and 'Balbek' by Valentino Vergan (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, social media, playful, energetic, casual, cheeky, retro, handmade feel, bold impact, friendly tone, retro flair, chunky, brushy, rounded, bouncy, soft corners.
A chunky, right-leaning print style with brush-like strokes and softly rounded terminals. The letterforms are compact and tightly set, with a slightly bouncy baseline and irregular stroke edges that mimic quick marker or sign-painting movement. Counters are small but open enough to stay readable, and curves (C, O, S) are plump and slightly pinched where strokes change direction. Uppercase is assertive and blocky, while lowercase stays simplified and lively, maintaining a consistent, hand-drawn rhythm across the set.
This font works best for display settings where a bold, hand-made impression is desired—posters, punchy headlines, product packaging, stickers, and social graphics. It can also suit casual branding elements or menu/signage applications where personality and immediacy matter more than typographic neutrality.
The overall tone is friendly and energetic, like casual hand-lettering for posters, packaging, or playful signage. Its heavy, rounded shapes feel approachable and humorous, with a retro street/marker vibe that reads as informal and expressive rather than precise.
The design appears intended to emulate quick, confident marker lettering with a bold silhouette and playful rhythm. It prioritizes impact and character in display sizes, aiming for an approachable, informal voice that feels handcrafted.
The numerals follow the same brushy construction, with exaggerated curves and compact proportions that keep the set visually cohesive. In text, the slant and tight shapes create strong forward motion and high visual presence, making it better suited to short phrases than extended reading.