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Serif Normal Anrep 2 is a bold, normal width, very high contrast, italic, normal x-height font visually similar to 'Gutofic' by Concepta Digital and 'Callisen' by Zane Studio (names referenced only for comparison).

Keywords: headlines, magazine, branding, posters, packaging, editorial, fashion, dramatic, luxury, classic, display emphasis, luxury tone, editorial impact, calligraphic flair, calligraphic, bracketed, sharp, crisp, lively.


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A high-contrast italic serif with sharply tapered strokes and pronounced thick–thin modulation. The letterforms show calligraphic influence: angled stress, crisp wedge-like terminals, and compact bracketed serifs that often resolve into pointed or teardrop endings. Proportions are slightly condensed in places with lively width variation, and the slant is assertive, giving the characters a forward, energetic rhythm. Numerals and capitals carry strong sculpted joins and deep curves, while lowercase forms keep a relatively traditional structure with brisk, cutting entry/exit strokes.

This style is well suited to display settings such as magazine headlines, fashion or lifestyle branding, premium packaging, and campaign/poster typography where contrast and motion are assets. It can also work for short editorial callouts or pull quotes when set at comfortable sizes with ample spacing to preserve its fine details.

The overall tone is elegant and theatrical, balancing classic bookish refinement with a fashion-forward, attention-grabbing edge. Its sharp terminals and sweeping curves feel confident and premium, suggesting an editorial or luxury sensibility rather than a quiet, utilitarian voice.

The design appears intended to deliver a classic italic serif voice with heightened contrast and a distinctly calligraphic finish, optimized to create striking, luxurious emphasis in display typography. Its energetic slant, sharp terminals, and sculpted curves prioritize expressiveness and visual impact over neutral body-text restraint.

In text, the strong diagonal energy and concentrated hairlines create a sparkling texture at larger sizes, while the pointed terminals and tight joins can look busy when set too small or too tightly spaced. It reads best when given room—slightly looser tracking and generous line spacing help maintain clarity and emphasize the intended contrast-driven drama.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸