Sans Superellipse Umnu 7 is a bold, wide, monoline, upright, normal x-height font visually similar to 'FF Eboy' by FontFont and 'Imagine Font' by Jens Isensee (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, ui display, tech, futuristic, industrial, sci-fi, sporty, modernize, systematize, futurism, impact, rounded, squared, geometric, modular, extended.
A geometric sans built from squared, superellipse-like outlines with generously rounded corners and largely uniform stroke weight. The forms are wide and low in contrast, with flat terminals, clean right angles, and consistent radiusing that gives counters a rounded-rectangle feel. Curves are minimized and often resolved as softened corners, producing a modular rhythm across uppercase, lowercase, and numerals; diagonals appear mainly in letters like K, V, W, X, and Y while most other shapes stay orthogonal and boxy. The lowercase maintains a simple, single-storey construction where applicable, and the numerals echo the same squared geometry with open, horizontal apertures and compact internal spaces.
Best suited to display settings such as headlines, titles, posters, and logotypes where its wide, squared silhouettes can define a strong identity. It also fits interface and product contexts—dashboards, labels, and tech-oriented graphics—especially when used at sizes large enough to preserve its tight counters and geometric details.
The overall tone is contemporary and machine-like, evoking digital interfaces, futuristic branding, and engineered hardware aesthetics. Its softened corners keep the voice friendly enough for consumer tech while still reading as assertive and performance-oriented.
The design appears intended to deliver a modern, highly structured sans with rounded-square geometry that reads as technological and streamlined. It prioritizes a consistent modular construction and a bold presence for attention-grabbing display typography.
In text, the wide stance and rounded-square counters create a distinctive texture that favors larger sizes, where the internal apertures and corner radii remain clear. The design’s consistency across glyphs makes it feel systematized and modular, with a strong emphasis on horizontal and vertical structure.