Sans Superellipse Umhy 4 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, branding, futuristic, tech, industrial, space-age, sci-fi, tech branding, display impact, modernist geometry, interface tone, rounded corners, squared curves, blocky, geometric, modular.
A broad, geometric sans with rounded-rectangle construction and softly radiused corners throughout. Strokes are uniform and heavy, with generous horizontal proportions and compact counters that stay open via clean, straight internal cuts. Curves tend to resolve into flattened arcs and squared shoulders rather than true circles, giving bowls and rounds a superelliptical feel. Terminals are predominantly squared-off, and joins are crisp, producing a stable, engineered texture in both caps and lowercase. Numerals follow the same rounded-rect geometry, reading cleanly with consistent stroke rhythm and sturdy, low-contrast forms.
Best suited to display settings such as headlines, posters, brand marks, and product packaging where its wide stance and rounded-square geometry can read as intentional and distinctive. It also works well for tech-oriented UI headlines, event graphics, and sports or automotive-style branding where a sturdy, engineered feel is desirable.
The overall tone feels futuristic and utilitarian, with a distinctly digital, engineered character. Its rounded-square geometry suggests interface design, hardware labeling, and sci‑fi titling rather than humanist warmth or calligraphic expression.
The typeface appears designed to deliver a contemporary, techno-inflected voice using a consistent rounded-rectangle system. Its simplified, modular forms prioritize impact and clarity in short texts, aiming for a recognizable silhouette that feels modern and machine-made.
The design maintains a consistent corner radius and a strong horizontal emphasis, which creates an assertive, banner-like presence in headlines. Some letters adopt simplified, modular constructions that enhance the font’s technical voice and help it hold up well at larger sizes where its shape language is most evident.