Sans Other Pegi 1 is a regular weight, wide, monoline, italic, normal x-height font visually similar to 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: headlines, posters, branding, tech ui, sports graphics, futuristic, technical, angular, aerodynamic, digital, sci-fi styling, interface tone, speed cue, geometric clarity, modern branding, chamfered, geometric, sharp, taut, industrial.
A slanted, geometric sans with monoline strokes and aggressively chamfered corners. Letterforms are built from straight segments and crisp angles, producing polygonal bowls and squared apertures rather than smooth curves. Proportions read on the wider side with a low-contrast, uniform rhythm; counters are open and rectangular, and terminals typically finish with diagonal cuts that emphasize forward motion. Numerals follow the same faceted construction, with notably angular diagonals and squared-off curves.
Best suited to display settings where the angular construction can read clearly—headlines, posters, logotypes, product branding, and tech or gaming UI accents. It also works well for short labels, dashboards, and titling where a fast, engineered aesthetic is desired over traditional text warmth.
The overall tone is futuristic and technical, evoking sci‑fi interfaces, motorsport graphics, and industrial labeling. Its sharp geometry and consistent slant give it an energetic, engineered feel—confident, fast, and machine-oriented rather than friendly or organic.
The font appears designed to deliver a cohesive, forward-leaning geometric voice with faceted forms that maintain consistency across cases and numerals. Its construction prioritizes a clean, mechanical silhouette and a strong sense of motion, aiming for a distinctive contemporary alternative to conventional italic sans styles.
The design relies heavily on straight strokes, so diagonals and corner joins become the primary personality cues; repeated chamfers create a cohesive, modular texture across both uppercase and lowercase. The italic angle is integral to the structure (not merely a slanted roman), reinforcing a streamlined, directional presence in text.