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Free for Commercial Use

Sans Faceted Gery 6 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Sweet Sans', 'Sweet Sans Pro', 'Sweet Square', and 'Sweet Square Pro' by Sweet (names referenced only for comparison).

Keywords: display, branding, sportswear, tech ui, posters, futuristic, technical, sporty, angular, sleek, convey speed, signal technology, add edge, modernize geometry, brand impact, chamfered, faceted, monoline, octagonal, dynamic.


Free for commercial use
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This typeface is a slanted, monoline sans built from crisp straight segments, with chamfered corners that turn bowls and curves into faceted, near-octagonal forms. Strokes maintain an even thickness with minimal modulation, giving the design a clean, engineered rhythm. Counters are generally open and geometric, and joins favor hard angles over smooth transitions, producing a slightly mechanical texture in words and lines of text. Figures follow the same faceted logic, with angular constructions and squared-off terminals that keep numerals visually consistent with the letters.

It is best suited to headlines, logos, product naming, esports/sports branding, and tech-forward interface accents where its faceted construction can be appreciated at larger sizes. It can also work for short bursts of text such as captions or callouts when a sharp, engineered aesthetic is desired.

The overall tone feels modern and high-tech, with a fast, performance-oriented attitude. Its angular geometry suggests precision and machinery, while the forward slant adds motion and energy, making the voice feel assertive and contemporary.

The design appears intended to translate a geometric sans into a faceted, machined aesthetic, replacing curves with planar cuts to evoke precision and speed. The italic posture reinforces a sense of momentum, aiming for impactful, contemporary display use while keeping letterforms structurally simple and consistent.

In text, the repeated diagonal cuts and corner facets create a distinctive pattern that reads as deliberate styling rather than incidental distortion. The design’s geometry is consistent across uppercase, lowercase, and numerals, reinforcing a unified, constructed look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸