Sans Superellipse Abmet 15 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Amsi Grotesk' by Stawix and 'Protipo' and 'Tablet Gothic' by TypeTogether (names referenced only for comparison).
Keywords: ui design, branding, headlines, signage, product design, modern, neutral, clean, technical, friendly, contemporary utility, systematic geometry, approachable clarity, brand neutrality, rounded, geometric, soft corners, closed apertures, uniform strokes.
A geometric sans with rounded-rectangle (superellipse) bowls and consistently softened corners. Strokes appear largely uniform, with smooth joins and minimal modulation, producing a steady, even texture in text. Counters are compact and tidy, and many forms favor vertical sides and gently curved terminals over fully circular geometry. Numerals and capitals share the same squared-round construction, giving the set a cohesive, engineered feel.
Well-suited to user interfaces, dashboards, and product typography where a consistent, contemporary voice is needed. The squared-round shapes also work well in logos and brand systems that lean geometric, and the steady stroke behavior supports clear headings and short to medium text blocks in print or digital contexts.
The overall tone is modern and matter-of-fact, with a subtle friendliness coming from the rounded geometry. It reads as contemporary and slightly technical rather than expressive, aiming for clarity and consistency over personality. The rhythm feels calm and controlled, suitable for interfaces and structured layouts.
The design intention appears to be a contemporary geometric sans built around superellipse-like curves for a distinctive but restrained identity. It aims to balance neutrality with approachability by pairing a systematic, rectilinear structure with softened corners and smooth, uniform strokes.
Letterforms show a preference for squared curves in bowls and rounded corners across the family, creating a distinct ‘soft-rectilinear’ silhouette at both display and text sizes. Apertures tend to be more enclosed than in humanist sans designs, which reinforces the compact, designed look in running text.