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Free for Commercial Use

Slab Contrasted Nana 6 is a light, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, book covers, editorial, branding, retro, bookish, quirky, formal, distinctive texture, display impact, editorial voice, retro modernity, bracketed, incised, stenciled, flared, crisp.


Free for commercial use
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A contrasted slab serif with a noticeably graphic rhythm: thin connecting strokes and generous curves are anchored by heavy, rectangular slab terminals that read almost like caps. Serifs are prominent and mostly horizontal, with a slightly bracketed feel in places, creating a crisp, engineered silhouette. Counters are open and rounded, bowls lean toward geometric circles, and joins stay clean, producing a tidy, high-contrast texture in text. The lowercase shows simplified, sturdy structures (notably in n/m/u) with strong baseline emphasis, while figures are clear and fairly open with flattened terminals that echo the slab motif.

Best suited for headlines, book covers, pull quotes, and branding where the strong slab terminals and contrast can be featured at medium to large sizes. It can also work for short editorial text or captions when a distinctive, structured texture is desired, though the prominent slab pattern will remain visually assertive.

The font balances classic, editorial seriousness with a distinctive, slightly playful mechanical accent created by its pronounced slab caps and sharp contrast. It feels confident and display-forward, suggesting a retro-technical or book-cover tone rather than a neutral workhorse. The overall impression is structured, crisp, and a bit idiosyncratic.

Likely designed to deliver a recognizable slab-serif voice with heightened contrast and a signature terminal treatment that reads as both classic and constructed. The emphasis appears to be on creating an eye-catching text texture and strong letter silhouettes for display and editorial settings.

The heavy serif blocks create strong horizontal banding, which becomes a defining texture in paragraphs and can appear almost stenciled at larger sizes. Round letters (O/Q/C/G) read particularly smooth against the squared terminals, heightening the contrast between curves and slabs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸