Sans Normal Kuluy 12 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'ATC Arquette' by Avondale Type Co., 'Hando' by Eko Bimantara, 'HD Canton' by HyperDeluxe, 'Mundial' by TipoType, and 'Bornia' by Yukita Creative (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, ui labels, energetic, confident, contemporary, sporty, direct, impact, clarity, momentum, headline, sturdy, compact, rounded, clean, modernist.
A heavy, right-leaning sans with smooth, rounded construction and minimal stroke modulation. Proportions are generously set with broad letters and open interiors, giving the shapes a stable, high-impact presence. Curves are clean and continuous, terminals are straightforward, and counters stay clear at display sizes, producing a compact, powerful rhythm across words. Numerals match the same robust, rounded geometry and maintain consistent color in text.
Well suited to headlines, posters, packaging, and prominent UI or in-app labels where a bold, dynamic tone is needed. It can also work for short editorial callouts, sports or tech branding, and advertising copy that benefits from a strong typographic presence. For longer reading, it is best used sparingly as emphasis or for subheads due to its weight and slant.
This typeface conveys an energetic, forward-leaning tone with a modern, utilitarian confidence. Its slanted stance and sturdy forms feel active and direct, reading as contemporary and pragmatic rather than ornamental. The overall mood is assertive and sporty, with a clean, no-nonsense friendliness.
The design appears intended to deliver strong emphasis with an italic-driven sense of motion while staying clear and uncomplicated. Its broad proportions and rounded, low-modulation shapes prioritize legibility and consistent texture, aiming for a contemporary voice that performs reliably in short to medium lines.
The lowercase shows a single-storey ‘a’ and ‘g’, reinforcing a contemporary, simplified texture. The ‘Q’ uses a clear diagonal tail, and the overall spacing feels comfortably open, helping the wide forms avoid crowding in the sample text.