Sans Faceted Urry 9 is a very bold, very wide, low contrast, reverse italic, tall x-height font visually similar to '946 Latin' by Roman Type (names referenced only for comparison).
Keywords: posters, headlines, logotypes, game ui, sports branding, futuristic, techno, industrial, aggressive, arcade, impact, futurism, machined look, display clarity, brand attitude, angular, chamfered, blocky, faceted, geometric.
A heavy, angular sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. The letterforms are wide and compact in feeling, with squared counters and generous internal openings that help keep the dense weight readable. Many terminals are chamfered, producing a consistent "machined" edge language; diagonals are sturdy and simplified, and round letters like O and C resolve into octagonal forms. The lowercase follows the same geometry with a tall x-height and minimal modulation, while figures are similarly squared and mechanical, maintaining a uniform, block-driven rhythm across the set.
Best suited for display settings where impact and a technical tone are desired: posters, esports and sports branding, game titles and UI labels, packaging callouts, and tech or entertainment headlines. It performs particularly well in short bursts—logos, wordmarks, and big typographic statements—where its faceted construction can be appreciated.
The font projects a hard-edged, engineered attitude—fast, forceful, and distinctly digital. Its faceted geometry and stout massing evoke sci‑fi interfaces, industrial labeling, and competitive, high-energy display typography.
The design appears intended to deliver a bold, futuristic voice through geometric, chamfered construction and a consistent planar rhythm, trading smooth curves for a rugged, manufactured aesthetic that reads quickly at large sizes.
The reverse-leaning slant adds forward momentum and a slightly aggressive stance, especially in tightly set all-caps. The notched joins and cut-in corners create strong silhouette recognition at large sizes, though the dense shapes can visually merge if tracked too tightly in long lines.