Sans Faceted Voba 2 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Digdaya' by Locomotype (names referenced only for comparison).
Keywords: headlines, logos, sports branding, game ui, posters, futuristic, techno, industrial, assertive, sporty, impact, tech aesthetic, branding, machined look, display clarity, angular, octagonal, chamfered, stencil-like, geometric.
A heavy, geometric sans with planar, faceted construction and chamfered corners that replace most curves with angled cuts. Strokes are consistently thick and monolinear, producing a dense, blocky texture; counters tend toward octagonal or rectangular shapes, especially in O/C/G and the numerals. Joins are crisp and mechanical, and terminals often end in hard angles rather than rounded finishes, giving the alphabet a structured, engineered rhythm. Lowercase forms remain compact and squared-off, with simplified bowls and a single-storey a, reinforcing the same angular system throughout text.
Best suited to display settings where impact and a techno-industrial flavor are desired: headlines, esports and sports branding, game/UI labels, posters, packaging accents, and title cards. It can also work for short, bold technical callouts when clarity is supported by generous sizing and spacing.
The overall tone is mechanical and forward-looking, evoking sci‑fi interfaces, machinery, and competitive sport branding. Its sharp facets and compact counters create a confident, no-nonsense voice that reads as technical and tactical rather than friendly or humanist.
The design appears intended to translate a geometric sans skeleton into a faceted, machined aesthetic, prioritizing strong silhouette and visual punch. By standardizing chamfers and angular counters across the set, it aims for a cohesive techno display look that stays legible while emphasizing sharp, engineered character.
The strong corner-cut motif is applied consistently across caps, lowercase, and figures, which helps it hold together in headlines and short bursts of copy. Because the interior spaces are tight and the shapes are highly stylized, it is likely to feel most comfortable at larger sizes where the facets and counters can be clearly perceived.