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Serif Flared Toby 11 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Copperplate Gothic' by Bitstream, 'Copperplate EF' by Elsner+Flake, 'Copperplate Gothic' by Linotype, 'Copperplate SB' and 'Copperplate SH' by Scangraphic Digital Type Collection, 'Copper Penny' by The Fontry, 'Copperplate Gothic' by Tilde, and 'Copperplate' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, book covers, branding, posters, classic, stately, warm, confident, readable display, heritage tone, editorial voice, brand authority, flared, bracketed, broad, robust, crisp.


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A robust serif with gently flared, bracketed terminals that widen into small wedge-like endings rather than sharp hairlines. Strokes stay relatively even, producing a steady, low-modulation rhythm and a dense, authoritative color on the page. The proportions are broad with generous curves and open counters; capitals feel stable and architectural, while the lowercase maintains a straightforward, readable build with compact finishing details. Numerals and punctuation follow the same sturdy, slightly calligraphic flare, keeping the texture consistent across text and display sizes.

It performs especially well in headlines, cover lines, and editorial typography where a strong, classic serif voice is desired. The sturdy construction also suits book and magazine applications, institutional or cultural branding, and poster work that benefits from confident, highly legible letterforms.

The overall tone is classic and editorial, combining traditional serif cues with a subtle flare that adds warmth and personality. It reads as confident and established rather than delicate, with a slightly bookish, heritage feel suited to refined but not overly formal branding.

The design appears intended to deliver a traditional serif presence with added character through flared terminals, balancing readability with a distinctive, engraved-meets-calligraphic finish. It aims for dependable text performance while offering enough personality for display use.

The flared endings and bracketed joins create a soft transition at terminals that helps large text feel less rigid, while the even stroke weight keeps paragraphs cohesive. The broad shapes and strong horizontals give headlines a grounded presence without relying on extreme contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸