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Free for Commercial Use

Sans Normal Amnan 2 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Halenoir' by Ckhans Fonts and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: ui text, signage, branding, presentations, editorial, modern, neutral, clean, tech, clarity, versatility, neutrality, modernity, geometric, open counters, straight terminals, even rhythm, high legibility.


Free for commercial use
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A crisp sans with geometric, largely circular construction and even stroke thickness. The letterforms show generous apertures and open counters, with straightforward, mostly horizontal/vertical terminals and minimal modulation. Proportions feel slightly expanded, giving the glyphs a stable footprint and clear spacing, while round characters (O, C, G, Q) read smooth and consistent. Lowercase forms are simple and functional, with a single-storey a and g, a compact ear on g, and a short, clean t crossbar; numerals follow the same plain, uniform logic.

Works well for interface typography, dashboards, and product surfaces where clear shapes and open counters help scanning at a range of sizes. The expanded proportions and steady rhythm also suit signage and wayfinding, as well as contemporary branding and presentation materials that need a neutral, modern sans. In editorial contexts it can serve as a clean display or subhead companion when a crisp, uncluttered tone is desired.

The overall tone is contemporary and matter-of-fact, leaning toward a practical, systemlike clarity rather than expressive personality. Its geometric calm and even rhythm suggest a modern, dependable voice suitable for straightforward communication.

The design appears intended as a versatile geometric workhorse: straightforward construction, consistent stroke behavior, and clear counters prioritize readability and predictable layout performance. The overall restraint points to broad applicability across digital and print without leaning into overt stylistic quirks.

Diagonal forms (V, W, X, Y, K) are sharply resolved and keep consistent weight, contributing to a tidy texture in all-caps settings. The Q’s tail is modest and unobtrusive, and punctuation in the sample text appears to sit cleanly within the same rational, no-nonsense style.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸