Sans Faceted Ipfa 2 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, game ui, fantasy branding, album art, runic, handmade, edgy, playful, mystical, stylized display, thematic lettering, hand-drawn feel, faceted construction, angular, chiseled, monoline, irregular, geometric.
A sharply angular, monoline display sans built from straight strokes and faceted corners, with curves consistently replaced by planar segments. Stems show a hand-drawn irregularity and slight wobble, producing uneven joins and subtly inconsistent stroke endings that read like marker or pen. Proportions vary noticeably from glyph to glyph, with compact bowls, narrow counters, and open, simplified constructions that favor diagonal structure. In text, the rhythm is lively and uneven, with distinctive zig-zag diagonals and diamond-like shapes appearing in several characters and numerals.
Best suited to display settings where its angular personality can be read clearly: titles, posters, packaging accents, and branding for fantasy, adventure, or indie game contexts. It also works well for short UI labels, badges, and logo wordmarks when a handmade, faceted voice is desired.
The faceted drawing and irregular rhythm give the font a runic, game-like tone that feels crafty and a bit mischievous. Its sharp geometry suggests carved or improvised lettering, lending a slightly mysterious, fantasy-leaning atmosphere while staying approachable and informal.
The design appears intended to translate a hand-drawn, carved/etched sensibility into a clean, repeatable alphabet by using straight segments and sharp joins in place of conventional curves. Its goal is expressiveness and theme-setting over neutrality, prioritizing distinctive silhouettes and a lively, irregular rhythm.
Several forms lean on emblematic geometry (notably diamond and wedge motifs), which makes the typeface highly characterful but less suited to small sizes or dense paragraphs. The strong diagonals and simplified curves create a consistent “cut” look across both capitals and lowercase, helping headlines feel cohesive even with the hand-rendered variation.