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Free for Commercial Use

Sans Faceted Bedi 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Evanston Alehouse' by Kimmy Design, 'Midfield' by Kreuk Type Foundry, 'Stallman Round' by Par Défaut, and 'DBXLNightfever' by VetteLetters (names referenced only for comparison).

Keywords: headlines, posters, sports branding, apparel, packaging, athletic, industrial, military, retro, tough, high impact, stencil-like toughness, geometric uniformity, branding focus, angular, faceted, chamfered, blocky, compact.


Free for commercial use
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This typeface is built from heavy, uniform strokes with sharp chamfered corners that replace most curves with straight facets. Shapes are broadly geometric and compact, with squared counters and flattened terminals that create a sturdy, block-like silhouette. The lowercase follows the same angular construction as the uppercase, with simplified bowls and short, abrupt joins that keep the texture dense and consistent. Numerals echo the same cut-corner logic, producing a cohesive, hard-edged rhythm across lines of text.

Best suited to display settings where impact and presence are the priority: headlines, posters, sports and team branding, and bold labels on packaging or apparel. It also fits signage-style applications and short UI labels where a tough, angular voice is desired, especially at medium-to-large sizes.

The overall tone is bold and no-nonsense, with a strong association to uniforms, equipment markings, and competitive branding. Its faceted geometry gives it a mechanical, engineered feel that reads as confident and rugged rather than friendly or delicate. In paragraphs it forms an assertive, high-impact voice suited to attention-grabbing statements.

The design appears intended to deliver a durable, high-visibility look using a consistent system of cut corners and simplified, planar forms. By minimizing curves and emphasizing straight facets, it aims to feel engineered and assertive while staying legible in bold, compact letterforms.

The repeated diagonal corner cuts create a distinctive visual motif that helps differentiate glyphs while keeping the system tightly unified. The dense interiors and small apertures can make it feel darker in longer passages, but they also reinforce its punchy, poster-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸