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Free for Commercial Use

Sans Normal Pebir 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ricardo' by Bureau Roffa, 'Arkit' by CAST, 'Sans Atwic Modern' by Caron twice, 'Kirshaw' by Kirk Font Studio, and 'Captura Now' and 'Captura Now Core Edition' by TypeThis!Studio (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, energetic, direct, impact, clarity, simplicity, stability, attention, blocky, rounded, geometric, compact, solid.


Free for commercial use
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The design is a heavy, geometric sans with rounded bowls and soft corners, producing a compact, solid silhouette. Strokes are thick and even, with open counters that help the shapes stay readable at display sizes. Proportions are balanced and stable, and the rhythm is consistent, emphasizing simple curves and clean terminals for a modern, blocky look.

This font works best for headlines, posters, packaging, and branding that needs a strong, contemporary presence. It is well suited to logos and wordmarks where bold, rounded geometry can carry recognition. It can also serve UI or signage roles when used sparingly for emphasis, such as buttons, labels, and section headers.

This typeface feels assertive and contemporary, with a straightforward, no-nonsense tone. Its heavy presence reads confident and energetic, leaning friendly rather than stern thanks to the rounded geometry. Overall it gives a practical, modern voice suited to clear, direct messaging.

The letterforms appear designed to maximize visual impact while staying clean and legible, prioritizing strong silhouettes and uncomplicated geometry. Rounded construction suggests an intention to keep the tone approachable even at very heavy weights. The overall system favors consistency and straightforward shapes that reproduce reliably in bold headlines and short phrases.

Round letters like O and Q are notably circular, and the numerals share the same sturdy, simplified construction. The overall texture in paragraphs is dense and emphatic, making it most effective at larger sizes or in short blocks of text rather than long-form reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸