Sans Contrasted Tabod 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, retro, poster-like, sturdy, playful, display, high impact, retro flavor, headline clarity, warmth, soft corners, ink-trap feel, flared terminals, blocky, high-ink.
A heavy, compact display face with softly squared curves and subtly flared, wedge-like terminals that give many strokes a sculpted, stamped look. Curves are broad and rounded, while joins and counters are tightened, creating dense letterforms with strong black presence. Stroke modulation is visible but controlled, reading as gentle thick–thin shaping rather than calligraphic stress. Spacing and rhythm feel slightly irregular and lively, with small counters and assertive verticals that hold up well in large sizes.
Best used for headlines, posters, and large-scale typography where its heavy texture and distinctive terminals can be appreciated. It also fits branding, packaging, and label-style applications that benefit from a vintage-leaning, high-impact voice. For paragraphs, it works mainly as short bursts (pull quotes, signage) rather than continuous small text due to its dense color.
The overall tone is bold and confident with a distinctly retro, poster-era flavor. Its chunky silhouettes and softened geometry add warmth and approachability, while the darker color and condensed counters keep it forceful and attention-grabbing. The result feels both nostalgic and energetic, suited to headlines that want character without becoming ornate.
The design appears intended to deliver maximum impact with a vintage-inflected, display-first personality: broad shapes, tightened counters, and subtly flared terminals that add character while staying legible. Its controlled contrast and softened corners suggest an aim for warmth and approachability within a strong, attention-forward silhouette.
Uppercase forms lean toward tall, blocky proportions, and several letters show pronounced terminal shaping that can read like gentle flare or an ink-trap-like notch in tight corners. Numerals match the same heavy, compressed structure and maintain a consistent, display-oriented color. In longer lines, the dense counters and strong texture encourage generous leading and avoid overly small sizes.