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Free for Commercial Use

Sans Superellipse Gemay 6 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Uniform Italic' by Miller Type Foundry, 'Classic Grotesque' by Monotype, 'Ggx89' by Typodermic, 'Cervino' and 'Cervo Neue Condensed' by Typoforge Studio, and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, sports branding, signage, packaging, sporty, urgent, punchy, industrial, retro, space saving, high impact, motion cue, brand mark, display emphasis, condensed, oblique, blocky, rounded, compact.


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A compact, condensed oblique sans with heavy, monoline strokes and rounded-rectangle construction in counters and curves. The letters are tightly proportioned with short apertures and sturdy joins, producing a dense, high-impact texture in lines of text. Terminals are clean and mostly straight, while bowls and curves feel squared-off and softly rounded, keeping the silhouette blocky but not sharp. Numerals and capitals read as poster-oriented, with simplified forms and minimal detailing that stay consistent across the set.

Best suited to short, high-impact settings such as headlines, posters, sports or automotive-style branding, and bold promotional graphics. It can work well for labels and packaging where a compact, space-efficient voice is needed, and for signage-style compositions that favor strong silhouettes over fine detail.

The overall tone is forceful and energetic, with a forward-leaning stance that suggests motion and urgency. Its compact heft and squared rounding give it a utilitarian, sporty feel that can also read as retro signage when set large and tight.

The design appears intended to deliver maximum impact in limited horizontal space while maintaining a streamlined, forward-leaning attitude. Its rounded-rect geometry and simplified details suggest a focus on bold display performance and consistent, easily repeatable shapes for branding and large-format typography.

In running text, the condensed width and heavy stroke create a strong horizontal rhythm and a dark typographic color; it will benefit from generous tracking or leading when used in longer lines. The squared curves and small openings emphasize shape and mass over delicacy, making it especially reliant on size and spacing for clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸