Sans Normal Ehlik 12 is a very light, normal width, low contrast, italic, normal x-height font visually similar to 'Masserini' by Studio Sun (names referenced only for comparison).
Keywords: branding, editorial, headlines, packaging, posters, airy, refined, modern, friendly, modern elegance, soft emphasis, lightness, clarity, monoline, rounded, open apertures, humanist, clean.
This typeface is a slanted, monoline sans with smooth, rounded construction and generous white space inside counters. Curves are drawn with an even, delicate stroke and transitions stay soft rather than angular, giving letters a calm, flowing rhythm. Proportions feel balanced and slightly relaxed, with open apertures on forms like C, S, e, and c, and a clean, single-storey a and g that keep the texture light. Terminals are simple and unembellished, and overall spacing reads a touch loose, enhancing clarity at display sizes.
It performs best in branding, headlines, and short passages where its light stroke and open shapes can breathe. The italic slant makes it especially fitting for emphasis, taglines, fashion and lifestyle editorial, and refined packaging or campaign graphics. For long body text or small UI sizes, it will likely benefit from ample size and contrast to preserve its delicate presence.
The tone is elegant and understated, with a light, contemporary voice that feels approachable rather than technical. Its slant adds a subtle sense of motion and sophistication, suitable for polished editorial and lifestyle contexts. The overall impression is gentle and modern, emphasizing ease and clarity over assertiveness.
The design appears intended as a clean, contemporary italic sans that pairs geometric smoothness with a gentle, humanist softness. It prioritizes an elegant reading rhythm and a polished visual identity, offering a refined alternative to more rigid italic grotesques.
The numeral set follows the same airy, rounded logic, with a smooth 0 and a slender 1 that read minimal and clean. Uppercase forms stay straightforward and geometric-leaning, while lowercase introduces a more human, handwriting-adjacent warmth through single-storey shapes and soft joins.