Sans Superellipse Pimek 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Cactus' by Alias, 'Arges' by Blaze Type, 'Burger Honren' by IRF Lab Studio, 'Etrusco Now' by Italiantype, 'Monopol' by Suitcase Type Foundry, 'Kurdis' by That That Creative, and 'Martines' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, condensed, industrial, assertive, modern, punchy, space saving, high impact, modern utility, headline focus, rectilinear, rounded corners, compact, tall, monoline.
A tightly condensed sans with tall proportions and heavy, even strokes. Curves are built from rounded-rectangle geometry, giving counters and bowls a squared-off, superelliptical feel rather than true circles. Terminals are clean and mostly flat, with minimal stroke modulation and a compact rhythm that stacks well in narrow columns. The lowercase shows a straightforward, workmanlike construction, while figures are similarly narrow and sturdy, matching the alphabet’s vertical emphasis.
Best suited to headlines, subheads, and short statements where space is limited but a strong voice is needed. It works well for posters, packaging, and brand marks that benefit from a compact, industrial-modern look, and it can also serve in signage or labels where condensed, high-impact forms help maximize content density.
The overall tone is direct and emphatic, with a utilitarian, poster-ready presence. Its compressed stance and squared-round shapes read as contemporary and industrial, prioritizing impact and clarity over softness or elegance.
Likely designed to deliver maximum visual punch in minimal horizontal space, using rounded-rectangular geometry to keep forms consistent and modern. The emphasis appears to be on bold, compact legibility and a strong vertical rhythm for display typography.
The design maintains consistent width economy across letters, creating strong vertical texture in blocks of text. Rounded corners keep the rigidity from feeling sharp, but the geometry remains decidedly rectilinear, especially in bowls and interior counters.