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Sans Superellipse Otdak 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Flexo' and 'Flexo Soft' by Durotype, 'FS Joey' and 'FS Joey Paneuropean' by Fontsmith, 'Nusara' by Locomotype, 'Core Gothic M' by S-Core, and 'Geon' and 'Geon Soft' by cretype (names referenced only for comparison).

Keywords: headlines, branding, packaging, ui labels, posters, friendly, modern, confident, playful, techy, approachability, impact, clarity, geometric unity, digital feel, rounded, soft, blocky, geometric, compact.


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A heavy, rounded sans with a superelliptical construction: bowls and counters read as rounded rectangles, and curves transition into straighter sides with minimal modulation. Corners are generously softened, terminals are clean and mostly horizontal/vertical, and joins feel sturdy and engineered. The uppercase is wide and stable with simplified geometry, while the lowercase keeps a single-storey a and g and a compact, even rhythm. Numerals are robust and clear, with squared-off curves that match the letterforms and maintain consistent stroke weight.

Best suited to headlines, brand marks, packaging, and display settings where a bold, rounded presence is desirable. It can also work well for UI labels and short interface text thanks to its simple shapes and clear character differentiation, though the dense color suggests using comfortable sizes and spacing for longer passages.

The overall tone is approachable and contemporary, balancing a friendly softness with a confident, industrial solidity. Its rounded-rectangle shapes suggest a digital or product-oriented sensibility, while the weight and compact forms keep it assertive and attention-getting.

The design appears intended to deliver a modern, friendly geometric voice built on superelliptical forms, prioritizing strong silhouette recognition and a cohesive, product-like polish. It aims for high impact without sharpness, using softened corners and squared curves to feel both inviting and structured.

Counters are relatively tight for the weight, creating a dense, impactful texture at text sizes. The superellipse logic is especially apparent in O/C/G/Q and in lowercase bowls, giving the family a cohesive, systematized feel. The italicless, upright stance and uniform stroke behavior emphasize clarity and consistency over calligraphic nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸