Sans Superellipse Asmot 13 is a very light, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, posters, signage, headlines, futuristic, technical, minimal, modular, clinical, systematic design, modern minimalism, digital feel, geometric unity, rounded-square, geometric, wireframe, open apertures, linear.
This typeface is built from thin, consistent strokes with rounded-corner rectangular curves and flat terminals. Curved letters lean toward superelliptical, squared-off bowls, giving O- and C-like forms a softened, rounded-rectangle silhouette. The overall drawing is narrow and tall, with a tight internal geometry and frequent use of straight-sided arcs, producing a crisp, engineered rhythm. Counters are clean and relatively open, and the numerals follow the same linear, rounded-rectangle logic for a uniform texture in text.
It works best in short to medium settings where its geometric construction is a feature—UI labeling, dashboards, sci‑fi or tech branding, exhibition graphics, and clean headline typography. In display sizes it can create a distinctive, modern texture, while in longer passages it’s most suitable where a crisp, engineered voice is desired.
The tone feels futuristic and technical, with a quiet, clinical minimalism. Its rounded-square construction reads as digital and schematic rather than humanist, suggesting interfaces, instrumentation, and modernist wayfinding.
The design appears intended to translate rounded-rectangle geometry into a readable sans, prioritizing a coherent, system-like construction across capitals, lowercase, and figures. The goal seems to be a sleek, contemporary look that stays minimal while remaining recognizable in common word shapes.
Several glyphs emphasize a modular, constructed feel—bowls and shoulders appear “built” from straight segments and softened corners rather than continuous calligraphic curves. The light stroke weight keeps large sizes airy, while at smaller sizes the fine lines and squared curves may call for generous spacing and contrast-conscious use.