Sans Superellipse Asbej 1 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, signage, headlines, posters, clean, technical, futuristic, minimal, precise, geometric system, modernist clarity, digital aesthetic, brand distinctiveness, rounded corners, squared curves, geometric, open counters, tall ascenders.
This typeface is built from straight strokes and softly squared curves, with rounded-rectangle construction visible in bowls and terminals. Strokes remain consistently thin, giving a crisp, wireframe feel, while corners are eased rather than sharp, producing a superelliptical rhythm across letters and numerals. Proportions are slightly narrow and vertically oriented, with clear, open counters and simplified joins that keep the forms uncluttered. The overall texture is airy and even, with generous internal space and a consistent, modular geometry.
It suits interface typography, dashboards, and labeling where a clean, modern geometry supports clarity without visual noise. The distinctive rounded-rectangle forms can also work well for tech-leaning branding, display headlines, and environmental or wayfinding applications where a contemporary, engineered voice is desired.
The rounded-rectilinear geometry and restrained detailing create a modern, technical tone that feels calm and deliberate. Its lightweight presence reads as sleek and contemporary, leaning toward a digital or product-interface sensibility rather than expressive or handwritten character.
The design appears intended to translate a rounded-rectangular, industrial geometry into a readable sans, prioritizing consistency of curvature and a minimal, contemporary silhouette. It aims for a refined digital aesthetic that stays neutral enough for systems use while remaining visually characteristic.
Curves tend to resolve into flat-ish segments before turning, reinforcing a squared, engineered look. The numeral set follows the same rounded-rectangle logic, maintaining visual continuity with the caps and lowercase. The sample text shows good separation between similar shapes through distinct straight/curved transitions and open apertures.