Sans Superellipse Onmuv 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Arame' by DMTR.ORG (names referenced only for comparison).
Keywords: display, headlines, branding, posters, ui labels, futuristic, tech, industrial, game ui, sci‑fi, tech aesthetic, geometric consistency, interface clarity, modular styling, rounded corners, square-rounded, modular, geometric, angular joins.
A geometric sans built from squarish, superellipse-like bowls and rounded-rectangle counters, paired with flat terminals and crisp right angles. Strokes are even and sturdy, with consistent corner radii that soften the otherwise boxy construction. Curves are minimized in favor of chamfered diagonals and squared arches, creating a modular rhythm across caps, lowercase, and figures. The numerals and punctuation echo the same rounded-rect geometry, keeping texture uniform in continuous text.
Best suited to display sizes where its boxy curves and modular details can read clearly—headlines, logos, posters, packaging, and tech-themed branding. It also works well for short UI labels, dashboards, and game/interface graphics where a futuristic, system-like voice is desirable. For long-form text, it will be more effective in brief passages or callouts than in extended reading.
The overall tone feels modern and engineered, with a distinctly digital, sci‑fi edge. Its squared curves and tight geometry suggest interfaces, hardware labeling, and synthetic environments rather than editorial warmth. The bold, clean silhouettes read as confident and utilitarian, emphasizing clarity and control.
The letterforms appear designed to translate a rounded-rectangle geometry into a consistent, contemporary sans with a distinctly technical personality. The intent seems to balance friendly rounding with strict, modular construction so the font can feel both approachable and machine-made, maintaining strong consistency across the full alphanumeric set.
The design leans on a consistent grid-like logic: rounded corners recur throughout, while diagonals appear as sharp, purposeful cuts (notably in letters like K, V, W, X, and Y). Counters tend to be squarish and compact, producing a dense, high-contrast texture against the white page that stays stable across mixed-case settings.