Sans Superellipse Vabov 2 is a light, very wide, low contrast, upright, normal x-height font.
Keywords: ui, branding, headlines, posters, technology, futuristic, technical, clean, digital, modular, sci‑fi styling, ui clarity, geometric system, modern industrial, rounded corners, squared bowls, geometric, monoline, open apertures.
A monoline sans built from rounded-rectangle geometry, with softly clipped corners and predominantly straight stems joined by smooth radiused turns. Curves resolve into superelliptical bowls, giving counters a squared-off, engineered feel rather than fully circular forms. Proportions run wide with generous horizontal spans, and the overall rhythm is even and controlled, with consistent stroke endings and minimal ornament. Many letters use open, simplified constructions (notably in forms like G, S, and e), reinforcing a crisp, grid-like structure.
Best suited to interface titles, tech branding, product identities, and display typography where a futuristic, engineered look is desired. The wide set and geometric structure make it especially effective in short headlines, labels, dashboards, and signage-style compositions where its modular forms can read as intentional design.
The tone reads futuristic and technical, with a sleek, device-interface character. Its rounded-square construction suggests modern industrial design and sci‑fi UI styling, while the restrained monoline drawing keeps it calm and precise rather than expressive or calligraphic.
The letterforms appear designed to translate a rounded-rectangular, industrial geometry into a readable sans system. The consistent monoline construction and simplified apertures suggest an intention to evoke digital hardware/UI aesthetics while maintaining a clean, contemporary typographic texture.
The design emphasizes continuous strokes and rounded joins, producing a smooth flow across long words. Numerals and capitals follow the same rounded-rectangle logic, creating a cohesive, system-like set that feels purpose-built for contemporary screen aesthetics.