Sans Superellipse Utrum 9 is a regular weight, very wide, low contrast, upright, normal x-height font visually similar to 'Moyenage Sans' by Storm Type Foundry (names referenced only for comparison).
Keywords: headlines, logotypes, ui labels, tech branding, posters, futuristic, techno, geometric, industrial, digital, futurism, ui styling, geometric modularity, tech display, rounded corners, squared curves, monoline, angular joins, extended width.
A geometric sans built from rounded-rectangle (superelliptic) forms, combining squared counters with softened corners. Strokes are monoline and steady, with crisp terminals and occasional angular notches and cut-ins that add a technical, machined feel. Many letters lean on straight horizontals and verticals with broad, open apertures, while bowls and counters read as squared-off ovals. The overall rhythm is spacious and extended, with compact interior shaping that keeps forms clear even as widths vary across glyphs.
This font suits display settings where a tech-forward geometric voice is desired, such as brand marks, product naming, event posters, and sci‑fi or gaming graphics. It can also work for short UI labels and dashboard headings where the squared-rounded letterforms reinforce a digital aesthetic, though it is most effective at larger sizes where the angular cut details remain crisp.
The design communicates a futuristic, interface-driven tone—clean, engineered, and slightly retro-digital. Its rounded-square geometry and sharp detailing evoke sci‑fi signage, arcade-era tech, and modern UI labeling, balancing friendliness from the soft corners with precision from the angular cuts.
The letterforms appear intended to merge superelliptic geometry with subtle engineered cuts, creating a distinctive techno sans that reads modern and system-like. The consistent monoline construction and rounded-square counters suggest a deliberate focus on modularity, clarity, and a recognizable futuristic personality.
Distinctive diagonal cut details appear on several capitals and numerals, giving the face an identifiable signature without adding stroke contrast. The figures and uppercase share a consistent rounded-rect framework, and the lowercase maintains the same squared curvature, creating a cohesive system across cases.