Sans Superellipse Logoh 11 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Gravitica Compressed' by Ckhans Fonts, 'Kaneda Gothic' by Dharma Type, 'Fox Aromatic' by Fox7, and 'Polate Soft' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, signage, playful, retro, quirky, friendly, punchy, space saving, high impact, approachable display, retro flavor, rounded, soft, blobby, compact, chunky.
A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and mostly uniform, with gentle swelling at curves and terminals that stay blunt rather than sharply cut. Counters are tight and vertically oriented, giving many letters a tall, condensed silhouette and a steady, column-like rhythm. The overall texture is dense and dark, with small apertures and simplified joins that favor bold, legible shapes over fine detail.
Best used at display sizes where its dense weight and narrow proportions can create strong impact in short phrases. It works well for posters, packaging, storefront or event signage, and branding marks that want a friendly, retro-leaning voice. In longer text, the tight counters and dark color are likely to feel heavy, so it’s most effective for titles, labels, and emphatic callouts.
The font reads as upbeat and approachable, with a slightly mischievous, offbeat character. Its rounded geometry and packed spacing evoke a retro display feel that’s more fun than formal, making it well-suited to energetic, characterful headlines.
The design appears intended to deliver maximum presence in limited horizontal space while maintaining a warm, rounded personality. Its simplified, uniform strokes and superelliptical curves suggest an emphasis on consistency and bold readability for attention-grabbing display typography.
Round elements (like O/0 and bowls in B, P, R) lean toward superelliptical forms, creating a cohesive “soft-rectangular” theme. Several letters use simplified, nearly monoline constructions (notably I, J, T, and the numerals), which reinforces the poster-like clarity. The lowercase includes single-storey a and g, and the dot on i/j is a simple round mark that matches the overall softness.