Sans Superellipse Fogob 10 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Pork Chop' by Font Kitchen, 'Kaisar' by Hazztype, and 'Byker' and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logotypes, packaging, sporty, futuristic, assertive, technical, energetic, impact, speed, modernity, precision, branding, rounded corners, oblique, compact, blocky, ink-trap-like.
A heavy, oblique sans with a superelliptical construction: rounded-rectangle counters and corners, squared terminals softened by generous radiusing, and a generally geometric, forward-leaning stance. Curves tend to resolve into flattened arcs rather than true circles, giving bowls and counters a compact, engineered feel. Strokes are uniform and dense, with tight apertures and small internal spaces that emphasize a strong silhouette; several joins show subtle notch-like relief that reads as ink-trap-inspired shaping at display sizes. Numerals and capitals share the same rounded-square logic, creating a cohesive, modular rhythm across the set.
Well-suited for punchy headlines, sports and esports identities, energetic posters, and product or packaging graphics where a strong, modern voice is needed. It can also work for UI titling or labels in tech contexts, especially where a compact, engineered look complements the layout.
The overall tone is fast, tough, and contemporary—evoking motorsport, athletic branding, and tech-forward interfaces. The oblique angle and compact, squared curves add urgency and momentum while staying controlled and systematic.
The letterforms appear designed to deliver maximum impact with a streamlined, rounded-rect geometry—combining a bold, modern presence with a sense of speed and precision. The consistent superellipse structure suggests an intention to feel both contemporary and systematized, with distinctive silhouettes that read quickly in branding and display settings.
The design favors solid mass and consistent geometry over open counters, so it holds up best when given enough size and spacing for the interior shapes to breathe. The slant is pronounced and consistent, helping headlines feel dynamic without relying on decorative detailing.