Sans Superellipse Gires 4 is a very bold, wide, monoline, upright, tall x-height font visually similar to 'Mercurial' by Grype, 'Kaisar' by Hazztype, 'Celdum' and 'Metral' by The Northern Block, and 'Crepes' by cretype (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, signage, techy, futuristic, friendly, confident, playful, impact, modernity, approachability, branding, clarity, rounded, blocky, geometric, compact, soft corners.
A heavy, rounded sans with squared-off counters and soft, superellipse-like curves. Strokes maintain a consistent thickness, with broad proportions and flat terminals that keep the texture even and solid. The uppercase is compact and robust, while the lowercase features a tall x-height and simple, single-storey forms (notably a, g) that emphasize clarity at larger sizes. Numerals follow the same rounded-rectangle logic, with open, squared counters and a stable, sign-like presence.
Best suited to display roles where its mass and rounded geometry can work as a graphic element—headlines, branding, posters, product packaging, and bold UI or wayfinding labels. In longer text it will feel dense and attention-grabbing, but in short bursts it delivers strong readability and a distinctive, contemporary silhouette.
The overall tone is modern and assertive, with a distinctly tech-forward feel softened by generous corner rounding. It reads as friendly and approachable rather than severe, giving headlines a confident, contemporary voice that can lean sporty or digital depending on color and layout.
Designed to merge industrial, squared geometry with soft rounding for a modern display sans that feels both robust and approachable. The consistent stroke weight and rounded-rectangle structure aim for high impact, easy recognition, and a cohesive, modular look across letters and numbers.
Counters and apertures tend toward rectangular openings, producing a crisp, modular rhythm even in curved letters. Diagonal forms (K, V, W, X, Y) keep their weight and angle consistent, and the punctuation and dots appear sturdy and circular, matching the font’s blunt, rounded construction.