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Sans Superellipse Otgag 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Azbuka' by Monotype, 'Conthey' by ROHH, 'NeoGram' by The Northern Block, 'URW Dock Condensed' by URW Type Foundry, and 'Aksioma' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, signage, posters, branding, packaging, confident, modern, friendly, utilitarian, clean, impact, clarity, modernization, approachability, consistency, geometric, rounded, compact, sturdy, high-contrast counters.


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This typeface presents a sturdy, geometric sans construction with broad, even strokes and rounded-rectangle (superelliptic) curves in bowls and counters. The forms are compact and efficient, with squarish rounds, blunt terminals, and a generally tight, disciplined silhouette that keeps letters feeling dense without becoming cramped. Uppercase shapes are wide and stable, while lowercase follows a straightforward, highly legible structure with open apertures and clear differentiation between similar forms; numerals match the same blocky, rounded geometry for a consistent texture in mixed settings.

It performs best where strong presence and quick recognition are priorities, such as headlines, signage, posters, and prominent UI labels. The dense, even color and rounded geometry also suit branding and packaging that needs a modern, approachable solidity.

The overall tone is confident and contemporary, with a friendly edge coming from the softened corners and rounded interiors. It reads as pragmatic and direct—more about clarity and impact than delicacy—making it feel dependable in interfaces and straightforward messaging.

The design appears intended to deliver high-impact readability with a geometric, rounded-rect aesthetic that stays consistent across letters and figures. It prioritizes clear silhouettes, robust stroke presence, and a clean, contemporary rhythm suitable for prominent display and short-to-medium text use.

Round letters such as O/C/G and bowls like B/P/R lean toward squared curves rather than true circles, creating a distinctive, engineered rhythm. The ampersand is bold and compact, and the punctuation and diacritics shown keep the same heavy, simplified construction, reinforcing a cohesive voice across text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸