Sans Superellipse Otmub 10 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Metsys' by Alias Collection, 'CA Cula' by Cape Arcona Type Foundry, 'DXOldStandard Grotesk No2' by DXTypefoundry, 'Arial' and 'Arial Nova' by Monotype, 'Aaux Next Cond' and 'Air Superfamily' by Positype, and 'Aksioma' by Zafara Studios (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, robust, straightforward, impact, clarity, modernity, approachability, geometric rigor, geometric, rounded, compact, sturdy, high-contrast counters.
A heavy, geometric sans with softly squared (superelliptical) curves and a consistent, monoline stroke. The forms feel compact and blocky, with broad shoulders, generous interior counters, and terminals that read as cleanly cut rather than tapered. Round letters like O/C/G and the numerals are built from rounded-rectangle geometry, giving an even rhythm and a strong, stable texture in lines of text. Lowercase shapes are simple and functional, with single-storey a and g, and overall spacing that supports dense, impactful settings.
Best suited to display roles where strong presence and quick recognition matter—headlines, posters, signage, and bold branding systems. It can also work for short UI labels or callouts where a compact, high-impact sans is needed, though its weight and dense color are most effective at larger sizes.
The overall tone is direct and contemporary, combining industrial sturdiness with approachable rounded corners. It conveys confidence and clarity without feeling sharp or aggressive, making it well-suited to bold, uncomplicated messaging.
The design appears intended to deliver maximum legibility and impact through simple geometric construction, rounded-rectangle curves, and consistent stroke weight. It prioritizes a clean, contemporary voice that stays friendly while remaining assertive in dense, bold settings.
Distinctive superelliptical rounding shows up consistently across bowls and curves, while diagonals (A, V, W, Y) and joins (N, M) stay crisp and structural. Numerals appear large and emphatic, matching the letterforms closely for cohesive mixed text.