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Slab Square Okmur 2 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'FF Tisa' and 'FF Tisa Paneuropean' by FontFont, 'Rooney' by Jan Fromm, 'Artigo' by Nova Type Foundry, and 'Epica Pro' by Sudtipos (names referenced only for comparison).

Keywords: headlines, book text, editorial design, posters, packaging, editorial, vintage, scholarly, robust, authoritative, legibility, editorial tone, classic sturdiness, print character, brand authority, bracketed serifs, sturdy, ink-trap feel, low stress, soft corners.


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A sturdy slab-serif with broad, squared serifs that are subtly bracketed into the stems, giving the letterforms a softened, carved look rather than a purely mechanical one. Strokes show moderate contrast and low stress, with generous, rounded interior counters and a slightly compact, weighty color on the page. Terminals are mostly flat and squared-off, while curves (notably in C, G, O, and S) are smooth and open, producing an even rhythm in text. The lowercase is traditional and readable, with a single-storey g, a compact e, and a slightly angled, energetic feel in diagonals like v, w, and y.

Well-suited to editorial layouts where a firm slab serif can carry both display and longer passages. It performs especially well in headlines, subheads, pull quotes, and book typography, and can also bring a classic, trustworthy tone to posters and packaging.

The overall tone feels editorial and traditional, with a confident, established presence reminiscent of printed matter—book work, newspapers, and academic materials. Its slab serifs add firmness and clarity, while the gentle bracketing and rounded counters keep it approachable rather than rigid.

This design appears intended to deliver a dependable slab-serif voice with strong legibility and a traditional print character. The combination of square-ended slabs with gentle bracketing suggests a goal of balancing authority with warmth for versatile editorial use.

Capitals have a strong, sign-painter solidity, and the numerals appear sturdy and oldstyle-leaning in personality, matching the text’s warm, print-oriented texture. The type maintains consistent weight distribution and spacing in the sample paragraph, supporting continuous reading without looking overly geometric.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸