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Free for Commercial Use

Print Hadoz 2 is a regular weight, narrow, medium contrast, upright, very short x-height font.

Keywords: book covers, children’s media, packaging, posters, headlines, playful, storybook, rustic, whimsical, folksy, hand-lettered feel, personality, informality, warmth, expressiveness, hand-drawn, brushed, tapered, bouncy, quirky.


Free for commercial use
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This typeface has a hand-drawn, brush-pen look with tapered stroke endings and slightly uneven curves that keep the texture lively. Letterforms are generally narrow with a compact footprint, while widths vary noticeably from glyph to glyph, creating an organic rhythm. Strokes show moderate contrast and soft, calligraphic modulation rather than rigid geometry, with occasional wedge-like terminals and small irregularities that feel intentionally human. Uppercase forms are more decorative and expressive, while the lowercase stays compact and simple, contributing to a distinctly short-looking midline in running text. Numerals match the informal construction, with round bowls and lightly angled strokes that blend naturally with the letters.

This font is well-suited to short-to-medium display settings such as book covers, children’s titles, packaging labels, posters, and attention-grabbing headlines. It can also work for pull quotes or section headers where a warm, hand-rendered voice is desired, especially when set with generous size and spacing.

The overall tone is friendly and informal, with a whimsical, storybook character that feels crafted rather than engineered. Its bouncy spacing and quirky details give it a light, approachable voice that can read as rustic or gently theatrical depending on context.

The design appears intended to simulate quick, confident hand lettering with brush-like modulation and charming imperfections. It prioritizes personality and a crafted feel over strict uniformity, aiming to bring an inviting, narrative tone to display typography.

In sample text, the font maintains a consistent hand-made texture across long lines, and the modest contrast plus tapered terminals help it stay dark enough for display use without feeling heavy. The irregularities are most noticeable at curves, joins, and stroke endings, which adds charm but also makes the texture more pronounced at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸