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Free for Commercial Use

Sans Superellipse Piloj 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Canby JNL' and 'Inventory JNL' by Jeff Levine, 'Beachwood' by Swell Type, 'Buyan' by Yu Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, technical, retro-modern, assertive, utilitarian, space-saving, high-impact, clarity, modernize, condensed, geometric, rounded corners, squared forms, compact counters.


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The design is a condensed sans built from squarish, rounded forms, giving counters and bowls a superellipse/rounded-rectangle character rather than true circles. Strokes are consistently heavy and even, with flat terminals and softened corners that create a clean, machined rhythm. Uppercase structures are compact and tall, and many curves resolve into straight segments, producing a geometric, sign-ready silhouette with tight internal space.

It suits headlines, posters, branding wordmarks, packaging, and interface labels where a condensed footprint and strong presence are helpful. The boxy-rounded shapes also work well for wayfinding, sports or team-style graphics, and bold editorial titling where a modern-industrial tone is desired.

This typeface conveys a condensed, industrial confidence with a slightly retro, utilitarian edge. Its rounded-rectangle logic keeps the tone friendly enough to avoid feeling harsh, while the overall density and firmness read as assertive and engineered.

The letterforms appear designed to pack strong, legible shapes into a narrow width while staying visually consistent through rounded-rect geometry. The goal seems to be a sturdy, contemporary sans with a controlled, technical flavor that holds up at display sizes and maintains clear differentiation between characters.

The numerals share the same squared rounding and compact proportions as the letters, creating a cohesive alphanumeric color. In text samples, the dense rhythm and narrow set emphasize verticality, making it especially effective for short lines and stacked compositions.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸