Sans Superellipse Hidom 5 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Size' by SD Fonts, 'Robusta' by Tilde, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, sports branding, industrial, sports, poster, authoritative, compact, high impact, space saving, bold branding, industrial tone, condensed, blocky, squared, rounded corners, stencil-like.
A condensed, heavy sans with squared, rounded-rectangle construction and tightly enclosed counters. Curves resolve into flattened bowls and superelliptical rounds, while terminals are mostly blunt and straight-cut. The stroke weight is consistently thick, with minimal modulation, and the overall texture reads dense and dark. Spacing is compact, and many forms feel vertically stretched with narrow apertures and small interior spaces, giving lines of text a packed, high-impact rhythm.
Works best for short, high-impact text such as headlines, posters, cover titles, and bold branding. The condensed proportions make it useful where horizontal space is limited—on packaging, labels, and signage—while still maintaining strong presence. It can also suit sports and industrial-themed identities, especially in all-caps settings.
The font projects a tough, utilitarian voice—confident, compressed, and built for impact. Its blocky geometry and tight counters suggest an industrial, athletic tone that feels assertive rather than refined. The overall impression is functional and forceful, suited to attention-grabbing statements.
The design appears intended to deliver maximum visual weight in a compact footprint, using squared superelliptical shapes to keep forms consistent and sturdy. It prioritizes punchy display readability and a dense typographic color over delicate detail or open, airy counters.
Several glyphs emphasize squared geometry even in traditionally round letters, producing a uniform, engineered feel. The numerals and caps share the same compact, heavy color, helping mixed alphanumeric strings stay visually cohesive. At smaller sizes, the tight counters and narrow apertures may visually fill in, so it tends to read best when given enough size and breathing room.