Sans Superellipse Ikmuv 9 is a very bold, wide, medium contrast, upright, tall x-height font visually similar to 'PODIUM Sharp' by Machalski (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, blocky, sporty, industrial, assertive, retro, impact, robustness, display clarity, industrial character, sport tone, rounded corners, compact, chunky, squared curves, stencil-like details.
A heavy, compact sans with rounded-rectangle construction and broadly squared curves. Counters are tight and often rectangular, with small apertures and a strong, even stroke presence that reads as low-contrast at display sizes. Corners are consistently softened, producing a superelliptical feel across rounds like O, C, and G, while diagonals (V, W, X) are blunt and sturdy. Several glyphs show small cut-ins and notches at joins and terminals, giving the set a slightly engineered, machined rhythm rather than a purely geometric smoothness.
Best suited for big, attention-grabbing applications such as headlines, posters, sports or event branding, and bold packaging labels. It also works well for signage and wayfinding where strong silhouettes matter, provided sizes are generous and spacing is tuned for the tight counters.
The overall tone is loud, confident, and utilitarian, with a sporty, poster-like energy. Its rounded-block shapes and dense color create a friendly toughness—more scoreboard and packaging than minimalist tech. The notched details add a hint of industrial character that can feel retro or workwear-inspired depending on context.
The font appears designed to deliver maximum visual impact with a rounded, block-constructed geometry that stays cohesive across letters, numerals, and punctuation. The subtle notches and cut-ins suggest an intention to avoid bland geometric sameness and to introduce an engineered, robust personality while keeping the shapes clean and highly legible at display scales.
At text sizes the tight counters and heavy interiors can reduce clarity, especially in letters with enclosed forms (B, R, a, e) and in numerals where small openings become critical. The design’s strength is its uniform, high-impact silhouette and consistent corner treatment, which holds up well in short bursts and large settings.