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Free for Commercial Use

Sans Superellipse Omlih 5 is a bold, narrow, low contrast, upright, normal x-height, monospaced font visually similar to 'Bergins' by Craft Supply Co, 'Noplato' by Drizy Font, 'Cream Opera' by Factory738, and 'Miguel De Northern' by Graphicxell (names referenced only for comparison).

Keywords: code samples, ui labels, terminal text, data tables, posters, industrial, utilitarian, technical, modern, authoritative, grid alignment, system voice, compact density, high impact, condensed, compact, square-round, grotesque, punchy.


Free for commercial use
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A compact, monospaced sans with heavy, blocky strokes and rounded-rectangle (superellipse) curves throughout. The design is tightly proportioned with short extenders, a sturdy baseline, and a consistent, mechanical rhythm across characters. Rounds like C, O, and Q read as softened squares, while counters are small and clean, giving the face a dense, efficient texture. Terminals are mostly blunt and uniform, with minimal modulation and a disciplined, grid-friendly feel that stays consistent from capitals through numerals.

Works well where strict alignment and consistent character widths matter, such as code snippets, terminal-style interfaces, tables, and schematic or dashboard labeling. Its compact footprint also suits headlines, signage, and punchy poster copy where you want a dense, impactful line without decorative features.

The overall tone is functional and no-nonsense, leaning industrial and technical rather than friendly or calligraphic. Its condensed, high-impact shapes feel confident and pragmatic, evoking labeling, equipment markings, and system-like UI typography.

This font appears designed to deliver a robust monospaced voice with rounded-rect geometry, prioritizing uniform spacing, strong presence, and a clean, engineered silhouette suited to technical and display contexts.

The monospaced spacing creates a regular cadence that emphasizes alignment and structure, especially in mixed-case text. The dense counters and compact width increase presence at larger sizes and in short bursts, while long passages can feel visually heavy due to the dark overall color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸