Print Byrut 1 is a light, wide, medium contrast, reverse italic, short x-height font.
Keywords: posters, packaging, social media, comics, signage, casual, playful, hand-drawn, energetic, quirky, human touch, informality, expressiveness, quick notes, handmade feel, marker-like, angular, monoline, textured, bouncy.
A loose, hand-drawn print with slightly right-leaning forms and a lively, uneven baseline. Strokes read as pen/marker-like with modest pressure variation, producing occasional thick–thin shifts and tapered terminals. Curves are open and somewhat angular in construction, and counters tend to be generous, keeping letters readable despite the informal rhythm. Width and spacing vary noticeably from glyph to glyph, reinforcing an improvised, sketchy texture rather than a rigid typographic grid.
Works well where a personal, handmade feel is desirable—posters, packaging callouts, social media graphics, comic-style captions, and casual signage. It’s best used at display sizes or short-to-medium text runs where its lively irregularity reads as intentional character rather than noise.
The overall tone is casual and approachable, with a playful, slightly rebellious edge. Its irregularities and quick strokes feel human and spontaneous, suggesting notes, doodles, or handmade signage rather than polished editorial typography.
Designed to emulate quick, natural handwriting in an unconnected print style, prioritizing personality and immediacy over mechanical consistency. The intent appears to be a readable but expressive voice that adds a human touch to headlines and informal messaging.
Capitals are expressive and often oversized relative to lowercase, creating a strong headline presence. Numerals follow the same hand-drawn logic, with simplified, slightly wobbly shapes that match the letterforms’ energy. The sample text shows that the texture becomes more pronounced in longer lines, where spacing and slant variations contribute to a distinctly handwritten cadence.