Print Money 8 is a light, very wide, medium contrast, reverse italic, short x-height font.
Keywords: posters, packaging, headlines, invitations, book covers, casual, playful, hand-drawn, folky, whimsical, handmade feel, casual voice, expressive display, friendly branding, brushy, textured, bouncy, angular, irregular.
This font has a loose, hand-drawn print structure with slightly right-leaning (reverse-italic) letterforms and visibly irregular stroke edges. Strokes feel brush- or marker-made, with tapered terminals, occasional thickened joins, and subtle wobble that keeps outlines organic. Proportions are very open and wide, with generous sidebearings and uneven character widths that create an airy rhythm. Counters are large and rounded, while many strokes end in pointed, chiseled tips, giving a mix of soft curves and sharp accents. Uppercase forms read as simple, upright constructions with uneven stroke tension; lowercase is compact with a relatively short x-height and light, quick-looking bowls and stems.
It works best for display settings where a handcrafted voice is desirable—posters, book covers, product packaging, event materials, and short headlines. The open, wide proportions help at larger sizes, where the textured edges and tapered terminals become part of the charm. For longer text, its irregular rhythm and short x-height suggest using it sparingly for emphasis rather than dense paragraphs.
The overall tone is informal and lively, like quick signage or notebook lettering. Its bouncy spacing and textured strokes suggest a friendly, slightly mischievous personality rather than polished calligraphy. The wide stance and energetic terminals add a quirky, storybook feel that reads as approachable and handmade.
The design appears intended to capture the immediacy of quick hand lettering—legible print forms with deliberately imperfect outlines and lively spacing. Its wide stance and reverse-leaning slant help it stand out as expressive and characterful while keeping familiar letter shapes for easy reading.
The texture and irregularity are consistent across letters and figures, keeping the style cohesive while allowing small variations that mimic natural handwriting. Round letters (o, e, c) stay open and breathable, while diagonals and angled joins (k, v, w, x) show sharper, more expressive stroke endings. Numerals match the same loose construction and light, sketch-like pressure changes.