Sans Normal Pomak 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Bauer Grotesk' and 'FF Bauer Grotesk Paneuropean' by FontFont, 'CF Panoptik' by Fonts.GR, 'Intervogue' by Miller Type Foundry, 'CG Gothic' by Monotype, and 'Glendale' by Sarid Ezra (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, friendly, punchy, modern, approachable, approachability, high impact, cheerful display, brand presence, rounded, soft corners, geometric, chunky, bubbly.
A heavy, geometric sans with broad, rounded bowls and compact counters that keep color dense on the page. Curves are built from near-circular forms while joins and terminals resolve into subtly softened corners rather than sharp cuts, giving the outlines a sturdy, molded feel. Proportions are steady and upright, with wide circular letters (O, C, G) balancing more blocky structures (E, F, T). The lowercase stays robust and simple, with single-storey a and g and a short-armed r, producing an even, poster-like rhythm in text.
Best suited to headlines, logos, and short statements where its bold, rounded shapes can deliver impact and personality. It works well for branding, packaging, signage, and social graphics that benefit from a friendly, high-visibility sans with strong presence at display sizes.
The overall tone is upbeat and welcoming, with a toy-like softness and confident weight that reads as energetic rather than formal. Its roundness and compact spacing lend a contemporary, friendly voice that feels suited to bold, optimistic messaging.
The design appears intended as a contemporary display sans that combines geometric roundness with substantial weight to create immediate legibility and a cheerful, approachable character. Its simplified lowercase forms and softened corners suggest a focus on clarity and charm over typographic austerity.
The figures are thick and attention-grabbing, matching the letters’ rounded geometry and maintaining strong consistency in stroke mass. In longer lines, the dense counters and heavy verticals create a solid texture, making the design most comfortable at larger sizes where the internal shapes can breathe.