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Free for Commercial Use

Serif Flared Podo 1 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Segma' by Brink, 'Gorva' by Dasukreation, 'FF Infra' by FontFont, and 'Soin Sans Pro' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, assertive, retro, friendly, sturdy, headline, display impact, retro warmth, brand voice, texture clarity, signage presence, softened, rounded, flared, ink-trap-like, high-impact.


Free for commercial use
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This typeface has heavy, compact-looking strokes with softened curves and flared terminals that broaden at stroke endings, giving a sculpted, wedge-like serif feel rather than crisp slabs. The letterforms are wide and open, with generous interior counters in rounds like O, Q, and e, and a generally even, low-modulation stroke rhythm. Corners and joins often show subtle notches or ink-trap-like cut-ins, adding texture and improving separation in tight areas at this weight. The lowercase is sturdy and readable with a single-storey a and g, round dots, and a robust, upright skeleton; numerals are similarly blocky and high-contrast in silhouette even without strong stroke contrast.

Best suited to display work such as headlines, posters, packaging, and branding where its wide stance and flared terminals can carry personality. It should also work well for short bursts of text—subheads, pull quotes, and signage—where clarity and impact are prioritized over long-form reading comfort.

The overall tone is bold and confident with a retro, sign-painting-adjacent warmth. Its flared endings and softened geometry feel approachable and slightly playful while still projecting authority and solidity. The texture reads punchy and energetic, with enough quirks in terminals and joins to keep large text lively.

The design appears intended to deliver high-impact display typography with a traditional serif flavor, updated through wide proportions, softened shapes, and flared stroke endings. The subtle cut-ins at joins suggest an aim for crispness and legibility at heavy weights while maintaining a distinctive, crafted texture.

Spacing appears generous enough for large settings, and the wide proportions help prevent counters from collapsing at heavy weights. The design’s characteristic flare and small cut-ins become more evident in larger sizes, where they contribute to a distinctive, crafted look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸