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Sans Superellipse Usmy 4 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Gomme Sans' by Dharma Type, 'Nizzoli' by Los Andes, 'Magistral' by ParaType, 'Belle Sans' by Park Street Studio, 'Glint' by Pesic, 'Artford' by Synthview, and 'Nuno' by Type.p (names referenced only for comparison).

Keywords: headlines, branding, packaging, posters, ui labels, modern, friendly, confident, techy, utilitarian, modernize, increase impact, improve clarity, geometric identity, rounded, geometric, blocky, compact, monoline.


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A heavy, geometric sans with rounded-rectangle construction and softly squared curves throughout. Strokes stay essentially monoline, with broad proportions and open, superelliptical counters that keep forms clear at display sizes. Terminals are mostly flat and crisp, while joins are sturdy and slightly softened, giving letters a dense, engineered rhythm. Lowercase forms are simple and high-reaching, and the numerals and punctuation follow the same squared-round logic for a consistent, uniform texture.

Best suited to headlines and short text where strong presence and clean shapes are desirable, such as branding systems, packaging, posters, and prominent UI labels. Its sturdy strokes and open counters help it hold up in high-contrast settings and at smaller display sizes, though the dense weight suggests using it for emphasis rather than long passages.

The overall tone is contemporary and approachable, combining a technical, constructed feel with friendly rounding. It reads as confident and straightforward rather than delicate, suggesting clarity, stability, and a mildly futuristic voice.

The design appears intended to deliver a bold, contemporary sans voice built from superelliptical geometry—prioritizing consistency, legibility, and a distinctive squared-round character for modern branding and interface contexts.

Round letters like O and Q appear more like rounded rectangles than circles, reinforcing a structured, modular personality. The design’s weight and tight interior shaping create strong silhouette recognition, making it especially impactful when set large.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸