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Free for Commercial Use

Slab Rounded Arza 1 is a regular weight, very narrow, low contrast, upright, normal x-height font.

Keywords: book jackets, editorial, posters, packaging, signage, typewriter, vintage, rustic, hand-inked, literary, vintage texture, print mimicry, space saving, editorial voice, bracketed serifs, blunt serifs, soft corners, ink spread, textured edge.


Free for commercial use
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This face is a condensed slab-serif with sturdy, bracketed serifs and generally rounded terminals that soften the overall silhouette. Strokes are low-contrast and slightly irregular, with subtly bumpy contours that suggest ink spread or worn metal type rather than a perfectly machined outline. Curves are compact and upright, counters are moderately open, and the overall rhythm is tight and vertical, with narrow letterforms and a crisp baseline presence. The lowercase maintains a conventional structure with a typical x-height, while capitals and figures keep the same sturdy, print-like construction.

It suits short-to-medium text where a vintage or typewritten voice is desirable—editorial pull quotes, book and album titling, and retro-inspired posters. The condensed proportions help fit longer headings into narrow spaces, while the sturdy serifs and low contrast keep it readable for labels, packaging, and period-styled signage.

The tone reads as archival and tactile—evoking typewriter copy, letterpress ephemera, and aged book typography. Its slight roughness adds warmth and authenticity, making the text feel human and lived-in rather than clinical. The condensed build gives it a brisk, utilitarian energy that still feels nostalgic.

The design appears intended to capture the look of traditional printing or typewritten output—combining a dependable slab-serif skeleton with softened, slightly distressed contours for a convincingly analog texture. Its condensed proportions and sturdy serifs prioritize efficient setting and a strong, recognizable tone in display and editorial contexts.

The texture is consistent across letters and numerals, creating a cohesive “printed” color in paragraphs. Round elements (like O/0) stay firm and upright rather than calligraphic, reinforcing a mechanical, text-oriented feel even with the softened edges.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸