Font Hero

Free for Commercial Use

Sans Normal Wemah 4 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio; 'Anantason Mon' and 'Prachason Neue Mon' by Jipatype; 'Montio' by Katatrad; 'Glimp Rounded' by OneSevenPointFive; 'Core Sans AR', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, sportswear, playful, friendly, retro, sporty, bouncy, bold impact, friendly tone, dynamic motion, retro flavor, casual display, rounded, soft, chunky, italicized, informal.


Free for commercial use
Customize the font name

A heavy, rounded sans with a pronounced rightward slant and soft, fully curved terminals. Strokes are thick and uniform, creating a compact, inky texture with minimal internal counters in letters like a, e, and s. Proportions lean broad with generously rounded bowls and shoulders, and the forms show a slightly hand-drawn, off-the-grid liveliness rather than strict geometric rigidity. Numerals and capitals maintain the same pillowy construction, with open, simplified shapes and smoothly blended joins.

Well suited to bold display settings such as headlines, posters, and brand marks where a warm, energetic voice is needed. It can work effectively on packaging and product labels, as well as sporty or youth-oriented graphics, especially when set with ample tracking and line spacing to preserve clarity.

The overall tone is upbeat and approachable, with a buoyant rhythm that feels casual and energetic. Its slanted stance and rounded massing read as friendly and a bit retro, suggesting motion and enthusiasm rather than formality or restraint.

The design appears intended to deliver maximum impact with a soft-edged, friendly silhouette, combining a heavy display presence with an italic sense of movement. Its rounded construction and simplified interiors prioritize personality and immediacy over fine-detail text readability.

The heavy weight and small counters make it most comfortable at moderate-to-large sizes, where the rounded details and italic flow can breathe. The uppercase is especially bold and compact, while the lowercase keeps a softer, more conversational feel with single-story constructions and rounded punctuation dots.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸