Sans Superellipse Osduh 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Erliga' by Haniefart, 'Kanal' by Identikal Collection, 'EFCO Growers' by Ilham Herry, 'Expreso' by JVB Fonts, 'Magr' by Locomotype, 'Propane' by SparkyType, 'Kanal' by T-26, and 'Getafe' by Trequartista Studio (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, retro, techy, authoritative, compact, impact, space saving, geometric consistency, signage clarity, rounded corners, squared curves, boxy, geometric, condensed feel.
This typeface is built from compact, geometric forms with a strong squared-off skeleton softened by rounded corners. Strokes are heavy and even, producing a solid, poster-like color with little visible modulation. Curves tend to resolve into superellipse-style rounded rectangles rather than fully circular bowls, and terminals are consistently blunt. Proportions are tight with a tall, compressed stance, while counters stay relatively open for the weight, maintaining clear internal shapes in letters like O, e, and a.
It performs best where a strong, compact word shape is needed: headlines, poster typography, and brand marks that benefit from an industrial or tech-leaning voice. The dense texture also suits signage and packaging applications where durability and high-impact presence are desirable.
The overall tone is utilitarian and assertive, with a distinctly retro-industrial flavor that also reads as tech-forward. Its compact geometry and blocky rhythm suggest engineered precision and signage clarity rather than friendliness or calligraphic warmth.
The font appears designed to deliver maximum visual impact in a condensed footprint, using rounded-rectangle geometry to balance strict, engineered shapes with approachable softness. The emphasis is on consistency, bold presence, and clear silhouettes that hold up in display settings.
The design language is highly consistent across cases and numerals, with repeated use of rounded-rectangle bowls and squared joins. Lowercase forms appear straightforward and sturdy, favoring simple construction over expressive detailing, which helps the face maintain a uniform, stamped presence in text and headlines.